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Tag: sculpture

Public Art in Our Historic Image Archive

Our Historic Image Archive includes thousands of photos documenting New York City neighborhoods, people, and buildings. Public art is important part of our streetscapes, and can be found throughout our Historic Image Archive. One of NYC’s most well-known and beloved sculptures is “the Alamo” on Astor Place. Installed as a temporary exhibit in 1967, the […]

    Jo Davidson’s “Plastic History,” Featuring His Village Friends

    This is one in a series of posts marking the 50th anniversary of the designation of the Greenwich Village Historic District.  Check out our year-long activities and celebrations at gvshp.org/GVHD50.  Jo Davidson may not be a household name, but his work is familiar to many New Yorkers.  Born on March 30, 1883, Jo Davidson grew up on the Lower […]

    Chaim Gross on LaGuardia Place, and “The Family” on Bleecker

    When the days are finally seeming longer than they used to be, the beautiful details of the Village begin to reveal themselves in new ways. Today, I’m thinking about public art, and a special spot in the Greenwich Village Historic District. Bleecker Street Park is a place to chat on the phone, eat a cupcake […]

    Astor Place Art Update

    A Keith Haring sculpture (Self Portrait; 1989) has recently appeared in front of 51 Astor Place at the corner of Third Avenue and St. Mark’s Place. In both his life and artworks, Haring is deeply connected to our neighborhoods. Over the years, GVSHP has looked at Haring’s ties to places within the neighborhoods we cover […]

      October 17, 1967 – “Sylvette” gets the go-ahead

      On October 17, 1967, Pablo Picasso wrote in a letter that he agreed to allow his colleague, Norwegian artist Carl Nesjar, to reproduce a large-scale sculpture of “Bust of Sylvette” for the University Village/Silver Towers complex, which GVSHP later proposed and successfully fought to have landmarked.  The sculpture is one of only two public outdoor […]

      My Favorite Things: Alamo (the Cube)

      It’s fall, 1967. A one-ton steel cube is dropped by the Lindsay administration into the middle of a grimy traffic island in an increasingly dodgy part of town. Instantly scuffed and plagued by graffiti, the hulking, monochromatic form could have easily been dismissed as a bland mid-century beautification scheme. A stark gift to the people […]